Audition Information – Young Frankenstein
Music and Lyrics by Mel Brooks | Book by Mel Brooks and Thomas Meehan
Show Description:
Based on Mel Brooks’ legendary film, Young Frankenstein is a riotous musical comedy that lovingly parodies classic monster movies. When brilliant neuroscientist Frederick Frankenstein inherits his infamous grandfather’s castle, he’s drawn into a madcap experiment that unleashes outrageous humor, show-stopping numbers, and a monstrously good time.
General Audition Notes:
- Strong comedic instincts and commitment to heightened humor are essential.
- Performers should be comfortable with farce, physical comedy, and quick pacing.
- Musical numbers range from classic Broadway style to over-the-top pastiche.
- Expect cold readings and vocal cuts from the show; movement or dance may be included.
Character Breakdown:
(Ages flexible; vocal ranges approximate)
- Dr. Frederick Frankenstein – Baritone (A2–G4): Intelligent, tightly wound, and increasingly unhinged. Strong comedic timing and vocal control required.
- Igor – Baritone/Tenor (A2–G4): Hunchbacked assistant with impeccable comic timing. Physical comedy and audience rapport are key.
- Inga – Soprano (Ab3–E6): Frederick’s eager lab assistant. Requires strong vocals, innocence, and comedic warmth.
- Elizabeth Benning – Soprano (Ab3–F5): Frederick’s glamorous fiancée. Broad comedy, confidence, and vocal clarity.
- The Monster – Baritone/Tenor (Bb2–F4): Gentle, misunderstood, and surprisingly charming. Requires strong physicality and heart.
- Frau Blücher – Contralto/Mezzo (G3–D5): Stern housekeeper with a mysterious past. Deadpan delivery and presence essential.
- Inspector Kemp – Baritone (A2–E4): Rigid, overzealous authority figure. Strong character work and comic exaggeration.
- Hermit – Tenor (C3–F4): A brief but memorable role requiring warmth and comic sincerity.
- Ensemble – Villagers, laboratory assistants, party guests, and more. Strong singers and movers who can play multiple characters.